Kryot works spontaneously – he doesn’t use sketches or preconceives concepts of images to transfer them outdoors, which would seem rather unnatural to him, as a concrete location always feeds him with enough ideas and inspiration during painting. His rather simple and sometimes small interventions at abandoned or obscure places, at entrances, crossovers or intersections besides the typical “Halls of Fame” are thus signified by their site-specific and individual character.

Some of the writers of the 1990s nowadays mainly work indoors, on canvases or on commission. For Kryot, graffiti still remains a medium of free expression and personal creation in urban space whose unique and special experience can only be found in intuitive and immediate exchange with the site far away from all rules or preconceptions.