The Viennese artist Franz West began his career in the mid-’60s working in reaction to local art movement, Actionism, which promoted radical performance meant to shock the art world. By the’70s West had begun making portable sculptures that he called “Adaptives” (“Paßtücke”)—objects meant to be carried around. These works spawned his now famous large-scale aluminum sculptures.

West’s work continues to be concerned with public interaction, which is clear from his furniture installations in museums and institutions.

Tonight West discusses his work and career with art historian and curator Helmut Draxler.