Joseph Kosir stretches his work through diverse media (printmaking, streetart, site specific installations, audiovisual art, VJ-ing), unconcerned of the limits and constrictions set to them, and actively combining concept and aesthetics, contemporary image culture with traditional and experimental techniques.

Ulrich Nausner creative output focuses on poetry and textual art, exerting an ironic and linguistic evidence to engage the viewers to question the relationship between art, advertisement, sponsorship and the influence of commercial mechanisms on cultural production. His poems and advertising slogans are condensed into a volume of poetry entitled Free Poetry, published in 2006.

Thomas Rhube defines formal concepts through graphic art and painting. He creates typefaces, intellectual property of words-concepts. Color induces subjective moods, not its perceptions, but its composition. For Rhube, colors – derived from accurate pigment/binder combinations or reduced to black and white, neutral recipient of every color – and words result in gestural abstract actions

Clemens Wolf explores post-industrial metropolis, detecting dismissed public spaces behind fences, abandoned warehouses and obsolete industrial buildings’ skeletons. Combining traditional oil painting and spray stencil technique, he transposes in negative on canvas their remains, the waste and chaos of declined modern urban landscapes, giving them new identities, representational and abstract at once, emphasizing light-dark contrast effects.His paintings evoke the desolate destruction of modern ruins, capturing their state of decay and imprinting their images into the collective memory as ominous testament of the times, places freed from control, visionary stages. Images open to interpretation,that triggers different experiences in the viewers, stimulating their imagination.